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Streaming & Downloads: 🤍 Physical Sale: 🤍 Facebook Brilliant Classics: 🤍 Composer: Felix Mendelssohn Artists: Wolfram Schmitt-Leonardy (piano), Frank van der Laar (piano), Pieter-Jelle de Boer (piano) Felix Mendelssohn was a virtuoso pianist, and it worth remembering that he was born in 1809, with his friend Schumann being born a year later in 1810, as was Chopin, and Liszt following in 1811. These composers were among the greatest pianists of the 19th century, and they were born at a time when the piano was a relatively modern instrument, and composers such as Hummel, Moscheles (Mendelssohn’s friend), Kalkbrenner and Ries were accorded adulation similar to pop stars today. Beethoven commenced his career in the 1790s as a virtuoso pianist. No surprise then that the young Mendelssohn composed extensively for his chosen instrument from the outset. From early concertos and sonatas he quickly established his ‘mature’ style in works such as the Rondo capriccioso, and the Andante cantabile e Presto agitato. The masterpieces that followed include the remarkably imposing Variations serieuses and the famous Songs without Words. Mendelssohn’s style did not change throughout his short creative life – he very quickly composed in what we know as his mature style from his early teens, something even Mozart didn’t achieve. This album contains the Songs without Words, Variations serieuse, Kinderstucke, Rondo capriccioso, Capriccio, and Trois Fantasies ou Caprices plus several shorter works. Tracklist can be found in the comment section! Social media links: Instagram: 🤍 Facebook: 🤍 TikTok: 🤍 Spotify Playlists: Brilliant Classics Spotify: 🤍 New Classical Releases: 🤍 The Best of Liszt: 🤍 The Best of Bach: 🤍 Most Popular Piano Music: 🤍 Beautiful Classical Music: 🤍 Classical Music For Dinnertime: 🤍 Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by Mendelssohn and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. 🤍 #Mendelssohn #Piano #Works
Felix Mendelssohn Bartholdy, born on February 3, 1809, in Hamburg, Germany, was a prodigious composer, pianist, and conductor of the Romantic era. Coming from a wealthy and culturally influential family, Mendelssohn was introduced to music at an early age and displayed exceptional talent. His grandfather, Moses Mendelssohn, was a renowned philosopher, while his father, Abraham, was a banker. Recognizing his musical gifts, Mendelssohn's parents provided him with a comprehensive education in music, languages, literature, and the arts. He received piano lessons from his mother and studied composition under the tutelage of Carl Friedrich Zelter, a prominent musician and friend of the family. Mendelssohn's musical abilities flourished rapidly, and he began composing and performing publicly in his early teens. In 1829, at the age of 20, Mendelssohn conducted a revival performance of Johann Sebastian Bach's "St. Matthew Passion," which had been largely forgotten at the time. This monumental event sparked a widespread revival of interest in Bach's music and firmly established Mendelssohn as a leading figure in the musical world. Throughout his career, Mendelssohn composed a diverse range of works, including symphonies, concertos, chamber music, oratorios, and choral compositions. His compositions, often characterized by their lyrical melodies, rich harmonies, and expressive qualities, exemplified the Romantic spirit. Mendelssohn's best-known works include his "Violin Concerto in E minor," the "Hebrides Overture" (also known as "Fingal's Cave"), and his "Italian Symphony." He also composed the incidental music for William Shakespeare's play "A Midsummer Night's Dream," which features the famous "Wedding March" that is still played at weddings to this day. In addition to his compositional prowess, Mendelssohn was an accomplished conductor. He served as the music director of the Gewandhaus Orchestra in Leipzig, Germany, from 1835 until his death. Under his leadership, the orchestra achieved great acclaim and became one of the finest in Europe. Tragically, Mendelssohn's life was cut short. He suffered from poor health throughout his later years and died at the age of 38 on November 4, 1847. Despite his relatively short life, Mendelssohn's contributions to music were immense. His compositions continue to captivate audiences with their beauty, elegance, and emotional depth, ensuring his enduring legacy as one of the most important composers of the Romantic era. Tracklist: Violin Concerto in E minor, Op. 64 A Midsummer Night's Dream Royal Philharmonic Orchestra For more: 🤍 #MusicHistory #ClassicalMusic #Mendelssohn
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Subscribe and turn on notifications to be alerted of our uploads! 🤍 If you like our work, feel free to pay us a coffee ❤️ 🤍 00:00:00 Lieder Ohne Worte "Frühlingslied" Op. 62,6, Allegretto grazioso - Aldo Roberto Pessolano 00:02:57 Lieder Ohne Worte "Venetianisches Gondellied" Op. 62, 5 ,Andante con moto - Aldo Roberto Pessolano 00:06:07 Lieder Ohne Worte Op. 19, 1 , Andante con moto - Edoardo Brugnoli 00:09:59 Lieder Ohne Worte Op. 19, 4 , Moderato - Edoardo Brugnoli 00:11:56 Lieder Ohne Worte "Venetianisches Gondellied" Op. 19 , 6 , Andante sostenuto - Edoardo Brugnoli 00:14:44 Lieder Ohne Worte Op. 102 , 3 , Presto - Aldo Roberto Pessolano 00:15:58 Sechs Kinderstücke Op. 72 , 1 , Allegro ma non troppo - Edoardo Brugnoli 00:17:01 Sechs Kinderstücke Op. 72 , 2 , Andante sostenuto - Edoardo Brugnoli 00:18:32 Sechs Kinderstücke Op. 72 , 3 , Allegretto - Edoardo Brugnoli 00:19:53 Sechs Kinderstücke Op. 72 , 4 , Andante con moto - Edoardo Brugnoli 00:21:25 Sechs Kinderstücke Op. 72 , 5 , Allegro assai - Edoardo Brugnoli 00:23:12 Sechs Kinderstücke Op. 72 , 6 , Vivace- Edoardo Brugnoli 00:25:09 MWV U 165 , Andante - Edoardo Brugnoli 00:27:04 MWV U 167 , Sostenuto - Edoardo Brugnoli 00:29:27 6 Preludes And Fugues Op. 35 , Prelude No.1 , Allegro con fuoco - Aldo Roberto Pessolano 00:31:29 6 Preludes And Fugues Op. 35 , Fugue No.2 , Tranquillo e sempre legato - Aldo Roberto Pessolano 00:34:24 6 Preludes And Fugues Op. 35 , Prelude No.5 , Andante lento - Aldo Roberto Pessolano 00:38:18 Lieder Ohne Worte "Spinnerlied" Op. 67 , 4 , Presto - Aldo Roberto Pessolano 00:40:16 Lieder Ohne Worte "Venetianisches Gondellied" Op. 30 , 6 , Allegretto tranquillo - Aldo Roberto Pessolano 00:43:17 Lieder Ohne Worte Op. 53 , 1 , Andante con moto - Aldo Roberto Pessolano 00:46:55 Lieder Ohne Worte Op. 38 , 4 , Andante - Aldo Roberto Pessolano 00:49:28 Lieder Ohne Worte "Duetto" Op. 38 , 6 , Andante con moto - Aldo Roberto Pessolano 00:52:29 Albumblatt für Ottilie van Goethe MWV U 75 , Andante con moto - Edoardo Brugnoli 00:55:24 Lied aus Fanny Hensels Noten-Album MWV U 68 , Espressivo ed allegro - Grave - Edoardo Brugnoli 00:57:40 3 Fantaisies Op. 16 , 1 , Andante con moto - Allegro vivace - Tempo dell'Andante - Aldo Roberto Pessolano 01:02:19 3 Fantaisies Op. 16 , 3 , Andante - Aldo Roberto Pessolano 01:06:38 3 Preludes Op. 104a , 2 , Allegro agitato - Aldo Roberto Pessolano 01:08:25 7 Charakterstücke Op. 7 , 1 , Andante - Aldo Roberto Pessolano 01:11:12 7 Charakterstücke Op. 7 , 6 , Andante - Aldo Roberto Pessolano 01:13:59 Rondo Capriccioso Op. 14 , Andante - Presto leggiero - Edoardo Brugnoli 01:20:59 2 Klavierstücke WoO 19 , 1 , Andante cantabile - Edoardo Brugnoli 01:24:00 2 Klavierstücke WoO 19 , 2 , Presto agitato - Aldo Roberto Pessolano (P)(C) 2023 Classical Tunes All AI Images And Logos Are Trademarked All Rights Reserved Felix Mendelssohn was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his "Wedding March"), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christian. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s. Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. He is now among the most popular composers of the Romantic era. #mendelssohn #classicalmusic #piano
Felix Mendelssohn Bartholdy: 4. Sinfonie (»Italienische«) ∙ (Auftritt) 00:00 ∙ I. Allegro vivace 00:34 ∙ II. Andante con moto 11:10 ∙ III. Con moto moderato 16:56 ∙ IV. Saltarello. Presto 23:04 ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Paavo Järvi, Dirigent ∙ Alte Oper Frankfurt, 16. Juni 2012 ∙ Website: 🤍 Facebook: 🤍
Online Purchase/Streaming (Spotify, Itunes store, Google Play, Deezer, Apple Play, Tidal, Amazon): 🤍 More information: 🤍 Young Mendelssohn composed extensively for the piano. From early concertos and sonatas he quickly established his ‘mature’ style in works such as the Rondo capriccioso, and the Andante cantabile e Presto agitato. The masterpieces that followed include the famous Songs without Words/Lieder ohne Worte. On this complete recording, these piano 'songs' are played by Dutch pianist Frank van der Laar. 00:00:00 Andante con moto, in E Major, Op. 19 No. 1 00:03:50 Andante espressivo, in A Minor, Op. 19 No. 2 00:06:14 Molto allegro, in A Major, Op. 19 No. 3, “Jägerlied” 00:08:49 Moderato, in A Major, Op. 19 No. 4 00:11:16 Agitato, in F-Sharp Minor, Op. 19 No. 5 00:14:47 Andante sostenuto, in G Minor, Op. 19 No. 6, “Venetian Gondola Song” 00:17:22 Andante espressivo, in E-Flat Major, Op. 30 No. 1 00:21:44 Allegro di molto, in B-Flat Minor, Op. 30 No. 2 00:23:49 Andante sostenuto, in E Major, Op. 30 No. 3 00:26:28 Agitato e con fuoco, in B Minor, Op. 30 No. 4 00:29:21 Andante grazioso, in D Major, Op. 30 No. 5 00:31:14 Allegretto, in F-Sharp Minor, Op. 30 No. 6, “Venetian Gondola Song” 00:34:01 Con moto, in E-Flat Major, Op. 38 No. 1 00:36:17 Allegro non troppo, in C Minor, Op. 38 No. 2 00:38:34 Presto, in E Major, Op. 38 No. 3 00:41:00 Andante, in A Major, Op. 38 No. 4 00:43:03 Agitato, in A Minor, Op. 38 No. 5 00:45:42 Andante con moto, in A-Flat Major, Op. 38 No. 6, “Duetto” 00:48:33 Andante con moto, in A-Flat Major, Op. 53 No. 1 00:51:24 Allegro non troppo, in E-Flat Major, Op. 53 No. 2 00:54:14 Presto agitato, in G Minor, Op. 53 No. 3 00:57:08 Adagio, in F Major, Op. 53 No. 4 00:59:53 Allegro, in A Minor, Op. 53 No. 5, “Volkslied” 01:02:53 Molto allegro vivace, in A Major, Op. 53 No. 6 01:06:02 Andante espressivo, in G Major, Op. 62 No. 1 01:08:14 Allegro con fuoco, in B-Flat Major, Op. 62 No. 2 01:10:18 Andante maestoso, in E Minor, Op. 62 No. 3, “Trauermarsch” 01:13:53 Allegro con anima, in G Major, Op. 62 No. 4 01:15:09 Andante, in A Minor, Op. 62 No. 5, “Venetian Gondola Song” 01:17:58 Andante grazioso, in A Major, Op. 62 No. 6, “Frühlingslied” 01:21:08 Andante, in E-Flat Major, Op. 67 No. 1 01:23:47 Allegro leggiero, in F-Sharp Minor, Op. 67 No. 2 01:26:24 Andante tranquillo, in B-Flat Major, Op. 67 No. 3 01:28:50 Presto, in C Major, Op. 67 No. 4, “Spinnerlied: The Bee’s Wedding” 01:30:50 Moderato, in B Minor, Op. 67 No. 5 01:33:12 Allegretto non troppo, in E Major, Op. 67 No. 6 01:35:36 Andante espressivo, in F Major, Op. 85 No. 1 01:37:50 Allegro agitato, in A Minor, Op. 85 No. 2 01:38:44 Presto, in E-Flat Major, Op. 85 No. 3 01:41:19 Andante sostenuto, in D Major, Op. 85 No. 4 01:44:18 Allegretto, in A Major, Op. 85 No. 5 01:46:04 Allegretto con moto, in B-Flat Major, Op. 85 No. 6 01:48:35 Andante un poco agitato, in E Minor, Op. 102 No. 1 01:50:51 Adagio, in D Major, Op. 102 No. 2 01:53:28 Presto, in C Major, Op. 102 No. 3 01:55:01 Un poco agitato, in G Minor, Op. 102 No. 4 01:57:12 Allegro vivace, in A Major, Op. 102 No. 5, “Kinderstück” 01:58:31 Andante, in C Major, Op. 102 No. 6 Social media links: Instagram: 🤍 Facebook: 🤍 TikTok: 🤍 Spotify Playlists: Brilliant Classics Spotify: 🤍 New Classical Releases: 🤍 The Best of Liszt: 🤍 The Best of Bach: 🤍 Most Popular Piano Music: 🤍 Beautiful Classical Music: 🤍 Classical Music For Dinnertime: 🤍 Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by Mendelssohn and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. 🤍 #Mendelssohn #LiederOhneWorte #SongsWithoutWords
Felix Mendelssohn Bartholdy: 3. Sinfonie a-Moll op. 56 (»Schottische«) ∙ (Auftritt) 00:00 ∙ I. Andante con moto – Allegro un poco agitato 00:24 ∙ II. Vivace non troppo 17:58 ∙ III. Adagio 22:30 ∙ IV. Allegro vivacissimo – Allegro maestoso assai 32:38 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Konzert ohne Publikum ∙ hr-Sendesaal Frankfurt, 9. Dezember 2020 ∙ Website: 🤍 ∙ Facebook: 🤍
Julia Fischer joue le Concerto pour violon n°2 en mi mineur de Felix Mendelssohn, aux côtés de l'Orchestre Philharmonique de Radio France dirigé par Myung-Whun Chung. Enregistré le 19 juin 2014 au Festival de Saint-Denis. Le Concerto n°2 pour violon de Mendelssohn appelle une interprétation à la fois sobre et raffinée. L’œuvre est créée une première fois en 1845 à Leipzig, sans son compositeur dont la santé se fragilise de jour en jour. Mendelssohn l’entend néanmoins le 3 octobre 1847, sous les doigts du virtuose Josef Joachim. Il s’éteint un mois après, comme s’il avait attendu d’entendre son concerto avant de rendre l’âme. L’ œuvre compte aujourd’hui parmi les plus célèbres concertos pour violon. Dans l’Allegro Molto Appassionato, le thème principal est entonné au violon après une petite mesure d’introduction. L' Andante se présente sous la forme d'un « lied ternaire, d’une grâce rêveuse, un peu sentimentale » (François-René Tranchefort). Le dernier mouvement emprunte quant à lui sa forme à la sonate et exige une grande virtuosité de la part du soliste. 00:00 : début du concert 1:30 : I. Allegro molto appassionato 14:38 II. Andante 22:47 Allegro non troppo - Allegro molto vivace #Mendelssohn #JuliaFischer #violin Felix Mendelssohn : 10 (petites) choses que vous ne savez (peut-être) pas sur le compositeur 🤍 Mendelssohn : Tout savoir sur les Symphonies du compositeur allemand 🤍 - 🔔 Pensez à vous abonner pour découvrir d’autres vidéos France Musique ! 🤍 Découvrez tout France Musique : ► Site internet - 🤍 ► Espace Concerts - 🤍 ► Newsletters - 🤍 Suivez-nous sur les réseaux sociaux : ► Facebook - 🤍 ► Twitter - 🤍 ► Instagram - 🤍 ► TikTok - 🤍
Download the sheet music below: 🤍 Be sure to Like this Video! Play along with Hilary Hahn in her astonishing live performance, practice and enjoy playing the famous Concerto in E minor by Felix Mendelssohn-Bartholdy. This is the first movement. PLEASE NOTE: The fingerings shown in the sheet music are not the same as those played by the artist; they are the ones included in our own sheet music edition available on our website below: 🤍 - Find the second movement here: 🤍 And the third movement here: 🤍 - Mendelssohn Violin Concerto E Minor OP.64 (Full Length) Violin : 힐러리 한 Hilary Hahn Conductor : 파보 예르비 Paavo Jarvi Frankfurt Radio Symphony Orchestra 11th,Jun,2012.Seoul Arts Centre Concert Hall,Seoul Korea. - I. Allegro molto appassionato - Find the sheet music of this piece at: 🤍 Speed-up, slow-down, set up loops and more with the interactive player on VSM: 🤍 Find a video lesson on this piece by Prof. Todd Ehle at: 🤍 Is there any other piece you'd like a similar video for? Please, post your suggestion in the comments below, and be sure to like this video! Services and Systems used by Virtual Sheet Music: Virtual Sheet Music synchronization system App for iPhone, iPad, and Android: 🤍 🤍 Video/audio-to-text transcriptions by AI-based dadascribe.com: 🤍
Composer: Felix Mendelssohn Artists: Emmy Verhey (violin), Budapest Symphony Orchestra, Arpad Jóo ( conductor), Amati Chamber Orchestra, Gil Sharon (conductor) There are two violin concertos by Felix Mendelssohn-Bartoldy. Thé violin concerto (Op. 64) and the other one, in D minor with opus number. They are both on this release performed by Emmy Verhey and Gil Sharon. 00:00:00 Violin Concerto in E Minor, Op. 64: Allegro molto appassionato 00:13:10 Violin Concerto in E Minor, Op. 64: Andante 00:21:22 Violin Concerto in E Minor, Op. 64: Allegretto non troppoallegro 00:28:03 Violin Concerto in D Minor: Allegro 00:37:25 Violin Concerto in D Minor: Andante 00:46:07 Violin Concerto in D Minor: Allegro Brilliant classics Spotify: 🤍 Brilliant classics Facebook: 🤍
Felix Mendelssohn-Bartholdy (1809-1847) - The Complete Symphonies. *Click to activate the English subtitles for the presentation* (00:00-04:40) Symphony No.1 in C minor / c-moll / ut mineur, Op.11 1.Allegro di molto (00:00) 2.Andante (07:43) 3.Menuetto - Allegro molto (14:29) 4.Allegro con fuoco (20:48) Symphony No.2 in B flat, Op.52 ‘’Hymn of Praise’' B-dur ‘’Lobgesang’’ Si bémol Majeur ‘’Chant des louanges’’ 1.Sinfonia (29:15) 2.Alles was Odem hat, lobe den Herrn (54:46) Lobt den Herrn mit Saitenspiel Lobe den Herrn, meine Seele 3.Saget es, die ihr erlöst seid (1:01:53) Er zählet unsre Tränen 4.Sagt es, die ihr erlöset seid (1:04:49) 5.Ich harrete des Herrn (1:06:56) 6.Stricke des Todes hatten uns umfangen (1:12:15) 7.Die Nacht ist vergangen (1:16:28) 8.Nun danket alle Gott (1:20:51) Lob, Ehr’ und Preis sei Gott 9.Drum sing ich mit meinem Liede (1:24:49) 10.Ihr Völker! bringet her dem Herrn (1:29:26) Alles danke dem Herrn Alles was Odem hat, lobe den Herrn Sopranos : Helen Donath & Rotraud Hansmann Tenor : Waldemar Kmentt New Philharmonia chorus Chorus master : Wilhelm Pitz Symphony No.3 in A minor, Op.56 ‘’Scottish’’ a-moll ‘’Schottische Symphonie’’ la mineur ‘’Ecossaise’’ 1.Andante con moto - Allegro un poco agitato (1:35:09) Assai animato - Andante come prima 2.Vivace non troppo (1:50:33) 3.Adagio (1:54:50) 4.Allegro vivacissimo - Allegro maestoso assai (2:04:18) Symphony No.4 in A, Op.90 ‘’Italian’' A-dur ‘’Italienische Symphonie’’ La Majeur ‘’Italienne’' 1.Allegro Vivace (2:14:03) 2.Andante con moto (2:24:35) 3.Con moto moderato (2:31:00) 4.Saltarello (2:37:38) Symphony No.5 in D minor, Op.107 ‘’Reformation’' d-moll ‘’reformations-Symphonie’' Ré mineur ‘’Réformation’’ 1.Andante - Allegro con fuoco (2:43:32) 2.Allegro vivace (2:55:11) 3.Andante (3:01:13) 4.Choral : Ein’ feste Burg ist unser Gott ! (3:04:43) Andante con moto - Allegro vivace Allegro maestoso - Più animato poco a poco New Philharmonia Orchestra Wolfgang Sawallisch Recorded in 1967, at London Find CMRR's recordings on Spotify: 🤍 COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ. La paraphrase de cette devise allemande « Wer rastet, der rostet » (littéralement, « se reposer, c'est rouiller »), décrit parfaitement l'enthousiasme, l'énergie et la ferveur avec lesquels les Mendelssohn conduisaient leur vie. Les voyages furent toujours d'une grande importance pour eux, aussi n'est-il pas surprenant d'apprendre que Mendelssohn lui-même était souvent par monts et par vaux, donnant concerts sur concerts partout en Europe. Il voyagea seul pour la première fois en 1829. Son père l'y avait incité afin qu'il étendît sa vision de la vie et qu'il pût affermir sa position d'homme et d'artiste, avant de prendre un poste permanent ou bien d'autres engagements. De 1829 à 1832, ses voyages le menèrent des brumes écossaises et des brouillards londoniens au ciel pur d'Italie, puis à Paris, puis à Londres encore : il avait satisfait alors aux espérances de son père au-delà de toute prévision. Chacun de ses voyages lui avait inspiré une composition : l'Ouverture des Hébrides, la Symphonie « Italienne » ou la Symphonie « Ecossaise » par exemple. Mendelssohn a composé douze Symphonies de jeunesse, pour cordes seules, qu'on ne joue que rarement et ces cinq grandes Symphonies, dont on joue essentiellement les trois dernières, sont l’Ecossaise, l’Italienne et Réformation. L'intérêt est de réunir les Cinq Symphonies et de leur donner à toutes leur dimension complète, leur flamme réelle qui situe bien Mendelssohn au bout du classicisme mais dans la perspective assumée du romantisme. On découvrira ainsi, outre la Première Symphonie, pleine d'exubérance, l'étonnante Deuxième Symphonie, Chant et louanges, incluant deux sopranos, un ténor et un chœur, autant oratorio que symphonie, admirablement déployée tant vocalement qu'orchestralement. Quant aux Symphonies majeures elles rayonnent comme jamais sous la baguette de Wolfgang Sawallisch : aussi bien l'ambiance nostalgique et légendaire de l'Ecossaise que le chatoiement coloré et énergique de l'Italienne, tout empreinte de la vitalité de ce pays qui « dispense le bonheur » (disait Mendelssohn). Schumann - Symphonies No.1,2,3,4 / Overture Op.52 (reference recording : Wolfgang Sawallisch) 🤍 Felix Mendelssohn PLAYLIST (reference recordings) : 🤍
#TWOSET4MIL Limited time 4 Mil Mendelssohn jumper: 🤍 Sign up to be the first to hear about our world tour announcement: 🤍 Digital house programme available on SSO's website: 🤍 MOZART Overture to The Marriage of Figaro MENDELSSOHN Violin Concerto in E minor, Op. 64 J.S. BACH Concerto in D minor for Two Violins and Orchestra, BWV 1043 Tarisio has kindly loaned TwoSet Violin two Stradivarius violins. Brett is playing the 1708 'Empress Caterina', and Eddy is playing the 1708 'Regent, Superb'. Track: J.S. Bach - Goldberg Variations, BWV 988 Performed by Shelley Katz Provided by Musopen Collection
Felix Mendelssohn - Hebrides Overture (Fingal's Cave), Op. 26 London Symphony Orchestra - Claudio Abbado
Felix Mendelssohn (1809-1847) was one of the most extraordinary child prodigies in history. At age 15 he was declared by his teacher Carl Zelter a mature musician “in the brotherhood of Bach, Mozart and Haydn”. By that age he had already composed symphonies, choral works, Singspiele, 4 concertos, piano and organ works. Mendelssohn wrote his 4 Piano Quartets (for piano and string trio) between 1821 and 1824 (between his 12th and 15th year..), forming his Opus 1, 2 and 3. Clearly modelled on Mozart’s Classical Style, they are vintage Mendelssohn: brilliant, virtuoso, containing clever counterpoint, strongly melodic both in the fast movements as in the slow movements (characteristic “Lieder ohne Worte”), the Scherzi foreshadowing his Sommernachtstraum music. Played with fire and youthful enthusiasm, as well as tenderness and lyricism by pianist Matteo Fossi and Duccio Ceccanti, Edoardo Rosadini and Alice Gabiani. Composer: Felix Mendelssohn Artist: Quartetto Klimt Early, little-known, free-spirited chamber works from music’s supreme teenage genius. By the time Felix Mendelssohn composed his first three opus-numbered works he had a substantial catalogue of chamber, vocal and orchestral works to his credit – all at the age of 15! This trio of piano quartets predates the miraculous Octet for strings, yet each of them holds its distinct appeal. A fluent grasp of form and voicing can be taken for granted in one already thoroughly schooled in compositional technique. Mendelssohn was still finding his own voice, melodically speaking, while emerging from the shadow of Mozart’s and Beethoven’s, but these are already pieces with his fingerprints and no-one else’s, even in 1824, when Beethoven and Schubert were still alive. Even the Opp. 1-3 are predated by another piano quartet, composed in 1821 by the 12-year-old Mendelssohn. He deemed it unfit for publication, but its relative brevity demonstrates that the teenage composer already had both the intuition and the talent to write within strict self-imposed boundaries: he does not waste notes, even in the finales which fizz with fun. Outside complete box-sets of the composer’s music the Piano Quartets are rarely encountered on disc, making this fine new recording an even more attractive acquisition for Mendelssohn fans and enthusiasts for early-Romantic chamber rarities. Formed in 1995, the Quartetto Klimt is an Italian ensemble with an impressive record of appearances at prestigious festivals based at home and abroad and long experience of teaching at chamber-music centres such as Fiesole and Livorno. This album marks their debut on Brilliant Classics. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): 🤍 More Information: 🤍 Tracklist: Felix Mendelssohn: Piano Quartet No. 1 in C Minor, Op. 1: 00:00:00 I. Allegro vivace 00:08:19 II. Adagio 00:15:07 III. Scherzo. Maggiore 00:20:39 IV. Allegro moderato Piano Quartet No. 2 in F Minor, Op. 2: 00:27:46 I. Allegro molto 00:36:55 II. Adagio 00:42:15 III. Intermezzo. Allegro moderato 00:45:19 IV. Allegro molto vivace Piano Quartet No. 3 in B Minor, Op. 3: 00:52:56 I. Allegro molto. Più allegro 01:01:37 II. Andante 01:07:55 III. Allegro molto 01:13:38 IV. Finale. Allegro vivace Piano Quartet in D Minor, MWV Q 10: 01:23:57 I. Allegro molto 01:29:07 II. Andante 01:32:56 III. Finale. Allegro molto Social media links: Instagram: 🤍 Facebook: 🤍 TikTok: 🤍 Spotify Playlists: Brilliant Classics Spotify: 🤍 New Classical Releases: 🤍 The Best of Liszt: 🤍 The Best of Bach: 🤍 Most Popular Piano Music: 🤍 Beautiful Classical Music: 🤍 Classical Music For Dinnertime: 🤍 Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: 🤍 And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #Mendelssohn #Quartetto #Klimt #Piano #String #Classical #Music #BrilliantClassics
Felix Mendelssohn Bartholdy: 5. Sinfonie (»Reformations-Sinfonie«) ∙ (Auftritt) 00:00 ∙ I. Andante – Allegro con fuoco 00:30 ∙ II. Allegro vivace 12:40 ∙ III. Andante 18:22 ∙ IV. Choral: Ein' feste Burg ist unser Gott. Andante con moto – Allegro vivace – Allegro maestoso 22:59 ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Jérémie Rhorer, Dirigent ∙ Alte Oper Frankfurt, 23. Mai 2014 ∙ Website: 🤍 ∙ Facebook: 🤍
Felix Mendelssohn composed music for William Shakespeare's play A Midsummer Night's Dream. First in 1826, near the start of his career, he wrote a concert overture (Op. 21). ▶️ More from Felix Mendelssohn: 🤍 🔔 Subscribe to The Wicked North for the very best in classical music: 🤍 #ClassicalMusic #FelixMendelssohn
Kijk voor meer concerten op: 🤍 🤍 - 🤍 Felix Mendelssohn, de herontdekker van Bach, spiegelde zich in zijn Tweede Symfonie aan Beethovens Negende Symfonie: een lange orkestrale inleiding vormt de aanloop naar een grootschalige en feestelijke koorcompositie. ‘Lobgesang’ is volgens Mendelssohn een ‘universele lofzang op de woorden van de laatste psalm: Alles wat adem heeft, love de Heer’. Uitvoerenden: Radio Filharmonisch Orkest Groot omroepkoor Markus Stenz, dirigent Rosemary Joshua, sopraan Rosanne van Sandwijk, sopraan Attilio Glaser, tenor Maxim Rysanov, altviool Opname: 23 janauri 2015 in De Vrijdag van Vredenburg, TivoliVrededenburg, Utrecht
Daniel Gortler, piano 🇩🇪 Felix Mendelssohn Op.19 Book 1 0:00 No.1 Andante con moto in E major, "Sweet Rememberance" 3:14 No.2 Andante espressivo in A minor, "Regrets" 5:48 No.3 Molto allegro e vivace in A major, "Hunting Song" 8:03 No.4 Moderato in A major, "Confidence" 9:48 No.5 Poco agitato in F♯ minor, "Restlessness" 12:45 No.6 Andante sostenuto in G minor, "Venetian Boat Song" Op.30 Book 2 15:12 No.1 Andante espressivo in E♭ major 19:52 No.2 Allegro di molto in B♭ minor 21:49 No.3 Adagio non troppo in E major, "Consolation" 23:57 No.4 Agitato e con fuocco in B minor 26:40 No.5 Andante grazioso in D major 28:37 No.6 Allegretto tranquillo in F♯ minor, "Venetian Boat Song" Op.38 Book 3 32:10 No.1 Con moto in E♭ major 34:52 No.2 Allegro non troppo in C minor, "Lost Happiness" 36:45 No.3 Presto e molto vivace in E major, "La harpe du poète" 39:14 No.4 Andante in A major 41:51 No.5 Agitato in A minor, "Appassionata" 44:13 No.6 Andante con moto in A♭ major, "Duetto" Op.53 Book 4 46:33 No.1 Andante con moto in A♭ major 50:02 No.2 Allegro non troppo in E♭ major, "The Fleecy Cloud" 52:27 No.3 Presto agitato in G minor 55:15 No.4 Adagio in F major, "Sadness of Soul" 58:06 No.5 Allegro con fuoco in A minor, "Folksong" 1:00:53 No.6 Molto allegro vivace in A major, "La Fuite" Op.62 Book 5 1:03:25 No.1 Andante espressivo in G major, "May Breeze" 1:05:13 No.2 Allegro con fuoco in B♭ major 1:07:09 No.3 Andante maestoso in E minor, "Funeral March" 1:10:35 No.4 Allegro con anima in G major, "Morning Song" 1:11:46 No.5 Andante con moto in A minor, "Venetian Boat Song" 1:15:00 No.6 Allegretto grazioso in A major, "Spring Song" Op.67 Book 6 1:17:24 No.1 Andante in E♭ major 1:20:29 No.2 Allegro leggiero in F♯ minor, "Lost Illusions" 1:22:54 No.3 Andante tranquillo in B♭ major 1:26:04 No.4 Presto in C major, "Spinner's Song" or "The Bee's Wedding" 1:27:49 No.5 Moderato in B minor, "The Shepherd's Complaint" 1:30:32 No.6 Allegro non troppo in E major, "Cradle Song" Op.85 Book 7 1:33:04 No.1 Andante espressivo in F major 1:35:29 No.2 Allegro agitato in A minor, "Adieu" 1:36:27 No.3 Presto in E♭ major 1:38:53 No.4 Andante sostenuto in D major, "Elegy" 1:42:06 No.5 Allegretto in A major 1:44:05 No.6 Allegretto con moto in B♭ major Op.102 Book 8 1:46:18 No.1 Andante un poco agitato in E minor 1:49:31 No.2 Adagio in D major 1:52:07 No.3 Presto in C major, "Tarantelle" 1:53:34 No.4 Un poco agitato, ma andante in G minor 1:56:19 No.5 Allegro vivace in A major, "The Joyous Peasant" 1:57:33 No.6 Andante in C major, "Belief" Score videos are for educational and non-commercial purposes only. If you are a copyright holder and you feel that your rights have been infringed upon, please send an email to the business address in the About section of my channel and I will remove the video as soon as possible.
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Felix Mendelssohn Bartholdy: Ein Sommernachtstraum (Auszüge der Bühnenmusik) ∙ (Auftritt) 00:00 ∙ I. Ouvertüre 00:27 ∙ II. Nr. 1 Scherzo 13:24 ∙ III: Nr. 3 Lied mit Chor 18:12 ∙ IV. Nr. 5: Allegro appassionato 22:54 ∙ V. Nr. 7: Con moto tranquillo 27:15 ∙ VI. Nr. 9: Nr. 9 Hochzeitsmarsch 33:05 ∙ VII. Nr. 11: Ein Tanz von Rüpeln 38:08 ∙ VIII. Finale 39:50 ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Estnischer Philharmonischer Kammerchor ∙ Miah Persson, Sopran ∙ Golda Schultz, Sopran ∙ Paavo Järvi, Dirigent ∙ Eröffnungskonzert Rheingau Musik Festival 2014 ∙ Kloster Eberbach, 29. Juni 2014 ∙ Website: 🤍 Facebook: 🤍
Felix Mendelssohn-Bartholdy (1809-1847) - Sacred Music : Psalms, Christus Oratorio, Vocal Works. *Click to activate the English subtitles for the presentation* (00:00-05:30) Psalm No.42 Wie der Hirsch schreit Op.42 I _Wie der Hirsch schreit (00:00) II _Meine Seele dürstet nach Gott (06:52) III _Meine Tränen sind meine Speise (09:37) IV _Denn ich wollte gern hingehen (10:11) V _Was betrübst du dich, meine Seele (12:43) VI _Mein Gott, betrübt ist meine Seele (14:42) VII _Der Herr hat des Tages verheissen seine Güte (16:27) VIII _Was betrübst du dich, meine Seele (20:57) Soprano : Christiane Baumann / Hautbois : Andrew Swinnerton Psalm No.95 Kommt, lasst uns anbeten Op.46 I _Kommt, lasst uns anbeten (25:34) II _Kommt herzu, lasst uns dem Herrn frohlocken (32:09) III _Denn in seiner Hand (37:37) IV _Denn sein ist das Meer (41:17) V _Heute, so ihr seine Stimme höret (45:04) Sopranos : Christiane Baumann & Joana Silva / Ténor : Pierre-André Blaser Psalm No.115 Nicht unserm Namen, Herr Op.31 I _Nicht unserm Namen, Herr (51:16) II _Israel hofft auf dich (57:44) III _Er segne euch (1:02:39) IV _Die Toten werden dich nicht loben (1:06:59) Soprano : Evelyn brunner / Ténor : Alejandro Ramírez / Baryton : Philippe Huttenlocher CHRISTUS Op. 97 - Unfinished Oratorio I_'Da Jesus geboren ward’ - Recitativ Sopran (1:10:38) II_'Es wird eni Stern aus Jacob aufgehn’ - Chor (1:12:34) III_'Un der ganze Haufe stand auf’ - Rezitativ Tenor (1:18:26) IV_'Er nimmit auf seinen Rücken’ - Choral (1:29:07) Soprano : Audrey Michael / Ténor : Marcus Schaeffer / Basses : José Fardilha & Antonio Wagner Diniz HÖR' MEIN BITTEN HERR (1:30:52) Soprano : Audrey Michael MITTEN WIR IM LEBEN SIND (1:42:03) AVE MARIA (1:49:39) VERLEIH' UNS FRIEDEN (1:55:56) TE DEUM (2:00:32) Soprano : A.Michael / Contraltos : N.Stutzmann & S.Teixeira / Ténor : M.Schaeffer / Basse : José Fardilha Psalm No.114 Da Israel aus Aegypten zog Op.51 (2:09:12) Lass', o Herr, mich Hülfe finden Op.96 I_Lass', o Herr, mich Hülfe finden (2:22:38) II_Choral (2:27:13) III_Herr, wir trau’n auf deine Güte (2:29:11) IV_Fuga (2:33:02) Contralto : Nathalie Stutzmann / Orgue : Guillaume Tourniaire Psalm 98 Singet dem Herrn ein neues Lied Op.91 I_Singet dem Herrn ein neues Lied (2:36:21) II_Jauchzet dem Herrn (2:39:21) III_Er wird den Erdkreis richten (2:49:11) Lauda Sion Op.73 I_Salvatorem (2:44:29) II_Lausis thema specialis (2:49:28) III_Sit laus plena (2:51:32) IV_In hac mensa novi regis (2:54:16) V_Doctis sacris institutis (2:58:38) VI_Caro cibus, sanguis potus (3:00:53) VII_Sumit unus (3:03:46) Soprano : Evelyne Brunner / Alto : Naoko Ihara / Ténor : Alejandro Ramírez / Basse : Philippe Huttenlocher Choeur Symphonique et Orchestre de la fondation Gulbenkian de Lisbonne Organ : Guillaume Tourniaire Conductor : Michel CORBOZ Recorded in 1977-78, 1987 Find CMRR's recordings on Spotify: 🤍 *COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.* Juif converti tout enfant par une décision de son père, Mendelssohn a toujours pris très au sérieux le fait religieux, qu'il n'associe pas forcément à une église particulière. Tout jeune, bien avant son voyage italien, il a composé un ‘’Tu es Petrus’’ très romain. Il a bien entendu travaillé pour l'office luthérien. Ses compositions pour l'église anglicane sont encore aujourd'hui au répertoire des cathédrales d'Angleterre ; son hymne Hear my prayer est un parfait modèle de l’esthétique spirituelle victorienne et a suscité bien des imitations. Une lettre du 15 juillet 1831 nous fait apercevoir une explication: "Si j'ai écrit plusieurs morceaux de musique religieuse, c'est que c'était un besoin pour moi, de même qu'on a parfois besoin de lire un certain livre, la Bible, par exemple, ou tout autre, et que ce livre-là seul vous satisfait." Derrière la pudeur naturelle d'un jeune homme très bien élevé, ne faut-il pas voir ici la marque d'un désir de concilier dans un même mouvement une appartenance profonde au monde de la Bible et le goût de la prière musicale telle qu'il l'a rencontrée dans les œuvres de Jean-Sébastien Bach, à la redécouverte duquel il a pris, tout jeune encore, une part glorieuse, et de GeorgeFrédéric Haendel, dont il admirera sans retenue les oratorios. Les deux grandes compositions de la maturité, Elijah et Paulus, qu'aurait dû venir compléter un Christus resté inachevé, constituent ainsi un pont entre les deux traditions où le jeune Mendelssohn puise ses convictions spirituelles. Le psautier trouve naturellement sa place dans une œuvre aussi fortement ancrée dans la Bible. Fauré - Requiem Op.48, Pie Jesu, In Paradisium, Libera Me, Sanctus .. (ref.rec.: Michel Corboz) : 🤍 Berlioz - Requiem, Grande Messe des Morts Op.5 / NEW MASTERING (Ct.rec.: Dimitri Mitropoulos 1956) : 🤍 Mendelssohn PLAYLIST (reference recordings) : 🤍
Felix Mendelssohn (1809-1847) - Violin Concerto in E minor, Op. 64 (1844) 1. Allegro molto appassionato (00:00) 2. Andante (13:02) 3. Allegretto non troppo Allegro molto vivace (21:05) Itzhak Perlman, violin *Version 2011 (live) Michael Tilson Thomas, conductor San Francisco Symphony *Version 1983 (live) David Zinman, conductor New York Philharmonic
Violinist Janine Jansen and a selection of a few of the finest and best string players of the world perform Mendelssohn's 'Octet in E-flat major, Op. 20' during the openings concert of the International Chamber Music Festival 2019 in Utrecht. On the musical programme: Felix Mendelssohn-Bartholdy - Octet in E-flat major, Op. 20 - Allegro moderato ma con fuoco - Andante - Scherzo: Allegro leggierissimo - Presto The musicians: Janine Jansen, Ludvig Gudim, Johan Dalene, Sonoko Miriam Welde [violin] Amihai Grosz, Eivind Holtsmark Ringstad [viola] Jens Peter Maintz, Alexander Warenberg [cello] Recording: Friday the 27th of December 2019, live in Tivolivredenburg in Utrecht, The Netherlands. More AVROTROS Klassiek: ♬ Facebook: 🤍 ♬ Twitter: 🤍 ♬ Instagram: 🤍
Felix Mendelssohn Bartholdy: 2. Sinfonie B-Dur op. 52 ∙ »Lobgesang« ∙ I. Sinfonia: Maestoso con moto – Allegro 00:00 ∙ Allegretto un poco agitato 11:44 ∙ Adagio religioso 17:45 ∙ II. Chor, Sopran und Frauenchor: Alles, was Odem hat, lobe den Herrn! 24:04 ∙ Lobe den Herrn meine Seele 28:45 ∙ III. Tenor – Rezitativ und Arie: Saget es, die ihr erlöst seid durch den Herrn 30:37 ∙ IV. Chor: Sagt es, die ihr erlöset seid 33:31 ∙ V. Duett: Sopran I und II, Chor: Ich harrete des Herrn 35:14 ∙ VI. Tenor: Stricke des Todes hatten uns umfangen 39:35 ∙ VII. Chor: Die Nacht ist vergangen! 44:24 ∙ VIII. Chor: Nun danket alle Gott 48:53 ∙ IX. Duett: Sopran und Tenor: Drum sing’ ich mit meinem Liede 53:06 ∙ X. Schlusschor: Ihr Völker, bringet her dem Herrn 57:24 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ MDR-Rundfunkchor ∙ (Sebastian Breuing, Einstudierung) ∙ Katharina Konradi, Sopran ∙ Miriam Albano, Mezzosopran ∙ Matthew Swensen, Tenor ∙ Alain Altinoglu, Dirigent ∙ Rheingau Musik Festival 2022 ∙ Eröffnungskonzert ∙ Kloster Eberbach, 25. Juni 2022 ∙ Website: 🤍 ∙ Facebook: 🤍 ∙ ARD-Mediathek: 🤍 ∙ #4K © 2022 Hessischer Rundfunk (hr)
A superb performance of Mendessohn’s incredible (read: all-round awesome, stupidly earwormish) first piano concerto. Mendelssohn has a (not incorrect) reputation as a classicist among the romantics, but this work demonstrates why that really should count as high praise. This piano concerto pulses with heady vigour and energy, and has that very rare Mozartean trait of having complete expressive ease. The first movement throbs with tension, with a beautifully lyrical second theme; the second movement, if it were written by Beethoven, would probably be called profound, moving, even spiritual; and the third movement is a breathlessly high-spirited, completely unpretentious expression of virtuoso exuberance that picks you up and never lets you off till the very end. And despite Mendelssohn not really having a reputation as a great innovator, this concerto’s engagement with form is surprisingly sophisticated: the exposition, development, and recapitulation in the first movement are modified for utmost conciseness (even people who find sonata form repetitive will find nothing repetitive in this movement); the second movement’s middle section is cunningly disguised as an ending-cadence of the first; and the ABABA rondo of the finale not only incorporates material from earlier movements with total naturalness (there is no sense of Mendelssohn doing structure for its own sake) or but develops both main themes cleverly at each return. Thibaudet’s hyper-intense playing is a welcome change from the many (admittedly very good) recordings where this concerto is played brilliantly, but also treated as a bit of light entertainment: the con fuoco of the first movement has a white-hot intensity yet remains crystal clear, with real bite and drama; the second movement is melting; and the third is wonderfully fleet-footed and vivacious, with impressively delicate pianissimos (I find it hard to listen to it once without wanting to listen to it again). Neither is there anything timid about the accompaniment from the Gwendhausorchester Leipzig: their sound is uncompromising, full-bodied, and very detailed: listen to the opening of the rondo, for instance. 00:00 – Mvt 1, Molto allegro con fuoco 06:50 – Mvt 2, Andante 13:33 – Mvt 3, Presto* MVT 1 EXPOSITION 00:00 – After a surprisingly short tutti, Theme (Group) 1 enters 01:45 – Theme 2, which is surprisingly free-ranging in key. At 2:46 Theme 1 interrupts, before Theme 2 returns at 2:57 with flowing semiquaver accompaniment 03:22 – Transition DEVELOPMENT 03:47 – T.1 by orchestra, with piano accompaniment 04:05 – T.2 04:11 – T.2 diverted and compressed, with T.1 passingly in orchestra RECAPITULATION 04:20 – Tutti, (T.1) now extended 04:44 – T.2 04:56 – T.2, in minor, with semiquaver accompaniment 05:02 – This sounds like it should lead to the ending, but… 05:27 – Extended pianistic pyrotechnics (based on T.1’s rhythm) lead into a statement of T.1 in LH, and then to the CODA 05:40 – T.1 and then T.2 (minor, at 5:52) stated forcefully by the orchestra 06:03 – What appears to be the closing cadence is suddenly interrupted by a G maj chord, which wanders (with B as pivot note) into E min 06:20 – A brief cadenza leads directly into MVT II 06:50 – Brief introduction 07:03 – A Section, with long cadential theme at 9:30 which slips almost imperceptibly into the 09:46 – B Section. Note its harmonically exploratory nature. The passage beginning at 10:00 is one of the most beautiful in the concerto repertoire 11:29 – A Section. The melody returns, now with more elaborate pianistic accompaniment. At the melody’s repeat the piano states it simply. 12:49 – Cadential theme and close MVT III 13:33 – Introduction. Note how this recalls the false closing cadence of the opening movement, as well as the opening tutti 14:23 – Theme 15:00 – Episode 1 (very ear-wormish, this material!) 16:12 – Theme 16:36 – Episode 2 16:49 – Theme (with some development at 17:00) 17:13 – Episode 3, in sparkling dialogue between piano and orchestra (with developmental elements, such as minor section at 17:31) 17:40 – Theme. At 17:49, interruption from orchestra with T.1 from first movement 18:03 – Quotation of T.2 from first movement 18:16 – CODA. At 18:42 quotation from Episodic Theme, at 19:09 from T.1 of first movement, and at 19:23 from the head of the rondo’s theme.
Rena Kyriakou (1917-1994), piano Book 1, Op. 19b (1829-1830) 00:00:00 No. 1 in E major 00:04:38 No. 2 in A minor 00:06:50 No. 3 in A major 00:09:16 No. 4 in A major 00:11:32 No. 5 in F-sharp minor 00:14:14 No. 6 in G minor Book 2, Op. 30 (1833-1834) 00:16:49 No. 1 in E-flat major 00:21:32 No. 2 in B-flat minor 00:23:48 No. 3 in E major 00:26:01 No. 4 in B minor 00:28:56 No. 5 in D major 00:31:20 No. 6 in F-sharp minor Book 3, Op. 38 (1836-1837) 00:35:05 No. 1 in E-flat major 00:37:06 No. 2 in C minor 00:38:51 No. 3 in E major 00:41:05 No. 4 in A major 00:43:27 No. 5 in A minor 00:45:54 No. 6 in A-flat major Book 4, Op. 53 (1839-1841) 00:50:07 No. 1 in A-flat major 00:53:46 No. 2 in E-flat major 00:55:53 No. 3 in G minor 00:58:40 No. 4 in F major 01:01:40 No. 5 in A minor 01:04:40 No. 6 in A major Book 5, Op. 62 (1842-1844) 01:07:21 No. 1 in G major 01:10:24 No. 2 in B-flat major 01:12:21 No. 3 in E minor 01:16:11 No. 4 in G major 01:17:37 No. 5 in A minor 01:20:56 No. 6 in A major Book 6, Op. 67 (1843-1845) 01:23:14 No. 1 in E-flat major 01:26:17 No. 2 in F-sharp minor 01:28:36 No. 3 in B-flat major 01:31:10 No. 4 in C major 01:33:05 No. 5 in B minor 01:35:06 No. 6 in E major Book 7, Op. 85 (1834-1845) 01:37:19 No. 1 in F major 01:40:10 No. 2 in A minor 01:41:07 No. 3 in E-flat major 01:43:31 No. 4 in D major 01:47:14 No. 5 in A major 01:49:15 No. 6 in B-flat major Book 8, Op. 102 (1842-1845) 01:51:35 No. 1 in E minor 01:54:32 No. 2 in D major 01:56:46 No. 3 in C major 01:58:17 No. 4 in G minor 02:00:30 No. 5 in A major 02:01:38 No. 6 in C major
L'Orchestre national de France dirigé par Daniele Gatti interprète l'oratorio "Elias" de Felix Mendelssohn. Avec en solistes Lucy Crowe, Christianne Stotijn, Rainer Trost et Michael Nagy. Enregistré le 27 juin 2014 au Festival de Saint-Denis. Avec Berlioz, Mendelssohn est l’un des grands compositeurs du 19e siècle à s’intéresser au genre de l’oratorio. Le succès qu’il rencontre avec Paulus en 1836 l’encourage à poursuivre dans cette voie. Elias est créé le 26 août 1846 à Birmingham avec pas moins de 396 musiciens. L'enthousiasme du public est considérable. Selon la musicologue Hélène Cao, quatre airs et quatre choeurs auraient été bissés. Plus encore, « Elias restera l'oratorio le plus populaire en Angleterre après Le Messie de Haendel ». Divisée en deux parties, l’œuvre reprend l’histoire du prophète Elie, du roi d'Isaraël Achab et de son épouse, la princesse Jézabel, histoire contée dans Le Premier Livre des rois de L’Ancien Testament. Après Elias, Mendelssohn composera un dernier oratorio, Christus, mais il n’aura pas le temps de le terminer. #Mendelssohn #Elias #concert PART I 1:55 Introduction - So wahr der Herr, der Gott Israels lebet 2:52 Overture 6:27 1. Chorus - Hilf, Herr! 10:00 2. Duet with choir - Herr, höre unser Gebet! 12:10 3. Recitative - Zerreißet eure Herzen 12:56 4. Aria - So ihr mich von ganzem Herzen suchet 15:05 5. Chorus - Aber der Herr sieht es nicht 19:12 6. Recitative - Elias, gehe von hinnen 20:08 7. Double quartet - Denn er hat seinen Engeln befohlen / Recitative - Nun auch der Bach vertrocknet ist 24:13 8. Recitative, aria and duet - Was hast du mir getan 30:11 9. Chorus - Wohl dem, der den Herrn fürchtet 33:10 10. Recitative with choir - So wahr der Herr Zebaoth lebet 37:20 11. Chorus - Baal erhöre uns! 40:37 12. Recitative with choir - Rufet lauter! Denn er ist ja Gott! 41:42 13. Recitative with choir - Rufet lauter! Er hört euch nicht 44:27 14. Aria - Herr, Gott Abrahams, Isaaks und Israels 47:43 15. Quartet - Wirf dein Anliegen auf den Herrn 49:43 16. Recitative with choir - Der du deine Diener machst zu Geistern 52:27 17. Aria - Ist nicht des Herrn Wort wie ein Feuer 54:25 18. Arioso - Weh ihnen, dass sie von mir weichen! 57:04 19. Recitative with choir - Hilf deinem Volk, du Mann Gottes! 1:02:26 20. Chorus - Dank sei dir, Gott PART II 1:06:39 21. Aria - Höre, Israel 1:12:13 22. Chorus - Fürchte dich nicht, spricht unser Gott 1:16:40 23. Recitative with choir - Der Herr hat dich erhoben 1:20:25 24. Chorus - Wehe ihm, er muss sterben! 1:21:58 25. Recitative - Du Mann Gottes, laß meine Rede 1:24:21 26. Aria - Es ist genug, so nimm nun, Herr, meine Seele 1:29:48 27. Recitative - Siehe, er schläft 1:30:33 28. Trio - Hebe deine Augen auf zu den Bergen 1:32:25 29. Chorus - Siehe, der Hüter Israels schläft noch schlummert nicht 1:35:55 30. Recitative - Stehe auf, Elias, denn du hast einen großen Weg vor dir 1:37:56 31. Aria - Sei stille dem Herrn 1:41:06 32. Chorus - Wer bis an das Ende beharrt, der wird selig. 1:43:20 33. Recitative - Herr, es wird Nacht um mich 1:45:10 34. Chorus - Der Herr ging vorüber 1:48:44 35. Quartet with choir - Seraphim standen über ihm; Heilig ist Gott der Herr 1:51:35 36. Choir recitative - Gehe wiederum hinab! Ich gehe hinab 1:52:54 37. Arioso - Ja, es sollen wohl die Berge weichen 1:55:09 38. Chorus- Und der Prophet Elias brach hervor 1:57:33 39. Aria - Dann werden die Gerechten leuchten 1:59:46 40. Recitative - Darum ward gesendet der Prophet Elias 2:00:46 41. Chorus - Aber einer erwacht von Mitternacht one & Quartet - Wohlan, alle, die ihr durstig seid 2:06:47 42. Chorus - Alsdann wird euer Licht hervorbrechen/Herr, unser Herrscher Felix Mendelssohn : podcasts et actualités 🤍 - 🔔 Pensez à vous abonner pour découvrir d’autres vidéos France Musique ! 🤍 Découvrez tout France Musique : ► Site internet - 🤍 ► Espace Concerts - 🤍 ► Newsletters - 🤍 Suivez-nous sur les réseaux sociaux : ► Facebook - 🤍 ► Twitter - 🤍 ► Instagram - 🤍 ► TikTok - 🤍
Felix Mendelssohn Bartholdy: 5. Sinfonie d-Moll op. 107 (»Reformations-Sinfonie«) ∙ I. Andante – Allegro con fuoco 00:00 ∙ II. Allegro vivace 11:42 ∙ III. Andante 17:23 ∙ IV. Choral: Ein’ feste Burg ist unser Gott. Andante con moto – Allegro vivace – Allegro maestoso 20:31 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Rheingau Musik Festival 2021 ∙ Eröffnungskonzert ∙ Kloster Eberbach, 27. Juni 2021 ∙ Website: 🤍 ∙ Facebook: 🤍 ∙ ARD-Mediathek: 🤍 ∙ #4K © 2021 Hessischer Rundfunk (hr)
Felix Mendelssohn Bartholdy: 1. Sinfonie c-Moll op. 11 ∙ I. Allegro di molto 00:00 ∙ II. Andante 10:49 ∙ III. Menuetto. Allegro molto 17:20 ∙ IV. Allegro con fuoco 24:02 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Konzert ohne Publikum ∙ hr-Sendesaal Frankfurt, 25. März 2021 ∙ Website: 🤍 ∙ Facebook: 🤍 ∙ ARD-Mediathek: 🤍 ∙ #4K © 2021 Hessischer Rundfunk (hr)
❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) 🤍 Felix Mendelssohn Bartholdy (1809-1847) Lieder Ohne Worte / Romances sans Paroles. *Click to activate the English subtitles for the presentation* (00:00-03:40) 00:00 No.33, Op.67 n.3 : Chant du pèlerin 02:38 No.6, Op.19 n.6 : Barcarolle vénitienne No.1 04:34 No.12, Op.30 n.6 : Barcarolle vénitienne No.2 07:34 No.40, Op.85 n.4 : Elégie 10:16 No.2, Op.19 n.2 : Regrets 12:31 Feuille d’album, Op.117 16:38 No.23, Op.53 n.5 : Chanson populaire 19:37 No.32, Op.67 n.2 : Illusions perdues 21:47 No.14, Op.38 n.2 : Bonheur perdu 24:03 No.19, Op.53 n.1 : Au bord de la mer 27:36 No.35, Op.67 n.5 : Plainte du berger 29:44 No.29, Op.62 n.5 : Barcarolle vénitienne No.3 32:27 No.1, Op.19 n.1 35:43 No.30, Op.62 n.6 : Chanson du printemps 37:54 No.28, Op.62 n.4 : Chanson du matin 39:42 No.34, Op.67 : La fileuse 41:51 No.45, Op.102 n.3 : Tarentelle 43:17 No.37, Op.85 n.1 : Rêverie 45:38 No.31, Op.67 n.1 : Méditation 48:13 No.25, Op.62 n.1 : Les brises de mai 50:33 No.46, Op.102 n.4 : Le soupir du vent 52:50 No.44, Op.102 n.2 : Rétention 54:55 No.43, Op.102 n.5 : Sans foyer 58:16 No.48, Op.102 n.6 : Confiance No.2 1:00:19 No.20, Op.53 n.2 : Les nuages floconneux 1:03:18 No.47, Op.102 n.5 : Les joyeux paysan 1:04:32 No.10, Op.30 n.4 : Le promeneur 1:07:28 No.8, Op;30 n.2 : Agitation No.2 1:09:31 No.11, Op.30 n.5 : Le ruisseau Piano : Danielle Laval Recorded un 2007, at Metz (France) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : 🤍 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : 🤍 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) 🤍 Danielle Laval: " For love of this composer, for his virtuosity, his melodic line, his cheerfulness and his romanticism. Naturally, his 'romances without words' came to me. These romances seem to me to be at the same time shrouded in classical influences and romantic collorations, succinct and delicate, poetic and often melancholic, colours that remind me of this line from Verlaine's Romances: 'Music before all else'. The composer's personal moods are present in his music: regrets, disillusionment, melancholy, loneliness, but also, in counterpoint, hope, dreaming, consolation and gaiety, in short: life. Mendelssohn's palette of feelings is set in a world of folk dances and songs, of representations of nature, thus giving it an eminently romantic dimension. How can one not be moved by these concise pieces, this refined music of such expressive poetic depth? How can I not be inspired by the pure pleasure Mendelssohn offers me? " Clementi - Gradus Ad Parnassum: Complete Piano Studies (Ct.rc.: Danielle Laval / World Premiere): 🤍 Felix Mendelssohn PLAYLIST (reference recordings): 🤍
Provided to YouTube by Sony Classical Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato · Hilary Hahn · Felix Mendelssohn-Bartholdy · Hugh Wolff · Oslo Philharmonic Orchestra · Oslo-Filharmonien Mendelssohn & Shostakovich: Violin Concertos ℗ 2002 SONY BMG MUSIC ENTERTAINMENT Released on: 2009-03-19 Auto-generated by YouTube.
Felix Mendelssohn (1809-1847) - Violin Concerto in E minor, Op. 64 (1844) 1. Allegro molto appassionato (00:20) [Cadenza by Joshua Bell] 2. Andante (13:19) 3. Allegretto non troppo – Allegro molto vivace (20:58) Joshua Bell, violin Daniel Harding, conductor Orchestre de Paris NHK Hall Tokyo Daniel Harding's inaugural tour as the Music Director of the Orchestre de Paris (2016)
Online purchase or streaming: 🤍 More Information: 🤍 Social media: Brilliant Classics Facebook: 🤍 Brilliant Classics Instagram: 🤍 Brilliant Classics Spotify: 🤍 New Classical Releases: 🤍 The Best of Liszt: 🤍 The Best of Bach: 🤍 Most Popular Piano Music: 🤍 Beautiful Classical Music: 🤍 Classical Music For Dinnertime: 🤍 Composer: Felix Mendelssohn Artists: Amati String Orchestra & Ensemble, Gil Sharon Mendelssohn was perhaps the most precociously gifted of all composers. As a child prodigy he stands out from other famous examples such as Mozart, Saint-Saëns, and Britten as he reached musical maturity so quickly – probably only Korngold can rival his precocious abilities. The two works on this CD are prime examples. Both were composed in the years 1824/5 when Mendelssohn was in his sixteenth year. The sheer effortlessness of the Octet, its textures, and the seamless way he writes for the 8 players has never been surpassed. Mendelssohn’s inspiration to compose a work for 8 string players was probably inspired by the Double Quartets of Spohr. However, the older composer deliberately wrote for two groups of 4 players, and made little attempt to meld the 8 into an orchestral unit. The sextet is almost a piano concerto, and the dazzling writing he gives the piano illustrates not only Mendelssohn’s prowess as a virtuoso, but also how well he had studied his older contemporary’s music, especially Hummel and Moscheles. Tracklist: 00:00:00 Felix Mendelssohn: Piano Sextet in D Op.110: I. Allegro vivace 00:12:53 Felix Mendelssohn: Piano Sextet in D Op.110: II. Adagio 00:17:49 Felix Mendelssohn: Piano Sextet in D Op.110: III. Menuetto 00:20:59 Felix Mendelssohn: Piano Sextet in D Op.110: IV. Allegro vivace 00:31:55 Felix Mendelssohn: Octet in E flat Op.20: I. Allegro moderato ma con fuoco 00:46:04 Felix Mendelssohn: Octet in E flat Op.20: II. Andante 00:53:17 Felix Mendelssohn: Octet in E flat Op.20: III. Scherzo: Allegro leggierissimo 00:57:47 Felix Mendelssohn: Octet in E flat Op.20: IV. Presto Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #BrilliantClassics #Music #Composer #Classical #Mendelssohn #Amati #String #Orchestra #Ensemble #Gil #Sharon #Octet #Sextet
Felix Mendelssohn Bartholdy: Das Märchen von der schönen Melusine ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Paavo Järvi, Dirigent ∙ Eröffnungskonzert Rheingau Musik Festival 2014 ∙ Kloster Eberbach, 29. Juni 2014 ∙ Website: 🤍 Facebook: 🤍
Felix Mendelssohn-Bartholdy - Piano Trio no.1 in d-minor, op.49 (1839/40) Composed in 1839 and revised several times until its final form being published in 1840, this dramatic and brilliant, yet utterly personal work immediately became wildly popular (though at first only in Leipzig, only later in Paris or London) and still to this day overshadows its equally genius sister-piece, the c-minor trio op.66. 00:00 - 09:35 1. Molto Allegro agitato 09:50 - 17:10 2. Andante con molto tranquillo 17:40 - 21:10 3. Scherzo. Leggiero e vivace 21:15 - 29:10 4. Finale. Allegro assai appassionato 30:50 - end 5. encore: Haydn - Trio in A-Major, Hob.XV:18, last movement ATOS Trio Annette von Hehn, violin Stefan Heinemeyer, cello Thomas Hoppe, piano recorded live at Wigmore Hall, London, UK / July 8, 2018 sound & video by Opera Omnia (🤍operaomnia.co.uk)
Mendelssohn - Rondo capriccioso Subscribe and follow on social media. I would love to meet you!! 🔔Click the bell icon, so you are notified of the next video🔔 🎧🎶 iTunes: 🤍 🎧🎶 Spotify: 🤍 I hope you all enjoy this channel! Please leave a comment if you have any pieces that you want to listen to. Instagram 🤍 Facebook 🤍 Tiktok 🤍 🤍 Thank you in advance for your generous contribution and I encourage you to participate in spreading happiness through beautiful classical music with Traum. Donation Paypal 🤍 Buy me a coffee 🤍 Patreon 🤍 #Mendelssohn #Rondo_Capriccioso #Piano
Felix Mendelssohn Bartholdy: 4. Sinfonie A-Dur op. 90 (»Italienische«) ∙ (Auftritt) 00:00 ∙ I. Allegro vivace 00:12 ∙ II. Andante con moto 10:47 ∙ III. Con moto moderato 17:27 ∙ IV. Saltarello. Presto 23:38 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Konzert ohne Publikum ∙ hr-Sendesaal Frankfurt, 10. Dezember 2020 ∙ Website: 🤍 ∙ Facebook: 🤍
Mendelssohn's Etude Op. 104 No. 1 in B-flat minor is a whirlwind of virtuosic brilliance, with its cascading arpeggios creating an electrifying display of technical mastery. The etude's dramatic shifts in mood and intensity sweep listeners into a thrilling musical vortex. 🔴 SUBSCRIBE: 🤍 Click the 🔔 bell to get notified of new uploads 🎹 New piano video every Wednesday 🎶 🌟 Tutorial - How to Make a Piano Video with Particles: 🤍 SeeMusic makes it easy to create amazing piano videos with Lights and Particles! ♫ DOWNLOAD SeeMusic: 🤍 ♫ Discord: 🤍 ♫ Instagram: 🤍 ♫ Facebook: 🤍 🔵 ABOUT SeeMusic Official - Best of Chopin, Liszt, Mendelssohn! Hi, my name is Peter - I'm the pianist behind the SeeMusic channel, and the creator of the SeeMusic app. I use the SeeMusic reactive visualizer to add particles and lights to my piano performances, creating videos that are a captivating fusion of music and technology. My videos experiment with 3D note styles like gems and crystals. As a concert pianist, I enjoy challenging myself with Etudes by Chopin and Liszt. I'll play the hits, and help you discover new pieces you haven't heard before. Subscribe to my channel, and embark on a journey through the realms of classical and cinematic music. #mendelssohn #piano #seemusic
The Radio Philharmonic Orchestra led by David Robertson and British virtuoso pianist Stephen Hough play Mendelssohn's 'Piano Concerto No. 1' during The Sunday Morning Concert of Sunday the 17th of November 2019. On the musical program: Felix Mendelssohn - Piano Concerto No. 1 in G minor, Op. 25 The musicians: Radio Philharmonic Orchestra David Robertson [conductor] Stephen Hough [piano] Recording: Sunday the 17th of November 2019, live in Het Concertgebouw in Amsterdam, The Netherlands. More AVROTROS Klassiek: ♬ Facebook: 🤍 ♬ Twitter: 🤍 ♬ Instagram: 🤍
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